Vivaldi_dixit_dominus_rv_594 »
This work remains a staple of the Baroque choral repertoire, celebrated for its blend of rhythmic energy and liturgical solemnity. You can find various performances and recordings through platforms like Deutsche Grammophon or Hyperion Records .
The work is divided into ten movements, each reflecting the specific imagery of the psalm text: vivaldi_dixit_dominus_rv_594
The use of trumpets and the antiphonal interplay between the two orchestras are hallmarks of the Venetian School, designed to fill large spaces with resonant, echoing harmonies. This work remains a staple of the Baroque
Composed in the early 18th century, likely for a major feast day at the Pio Ospedale della Pietà in Venice, this setting of Psalm 110 is one of Vivaldi’s most expansive liturgical works. Unlike his more intimate sacred pieces, RV 594 is designed for grandeur, utilizing a double-ensemble structure to create a sophisticated spatial sound within a cathedral setting. Composed in the early 18th century, likely for
The first movement is a powerful, homophonic call to attention, establishing the regal atmosphere associated with "The Lord said unto my Lord."
It employs two independent vocal choirs (SATB) and two orchestras, including trumpets, oboes, strings, and continuo.
Vivaldi balances massive choral sections with delicate solo arias. For instance, the "Tecum principium" is often set as a soprano solo, highlighting the light, agile vocal style Vivaldi favored.