The book asserts that medieval authors used torture as an to negotiate cultural anxieties. By portraying brutal practices as something done only by the barbarian "Other" —such as pagans, foreigners, or tyrants—authors defined their own nations as civilized and just in opposition to that cruelty. Key Themes & Chapter Summaries
Detail the specific Tracy argues were later "mythologized" as medieval (like the Iron Maiden) Torture and Brutality in Medieval Literature: N...
: Highlights the English prohibition against interrogatory torture. Tracy analyzes works like Havelok the Dane and Chaucer’s Prioress's Tale to show how Englishness was defined by rejecting "foreign" brutality. The book asserts that medieval authors used torture
: Investigates the fabliaux and other humorous texts where pain and castration were used as public displays of power for comedic effect. Critical Takeaway Tracy analyzes works like Havelok the Dane and
Provide a list of the she uses as case studies
In (2012), Larissa Tracy challenges the popular myth that the Middle Ages were a time of sadistic and unprovoked torment . Her central argument is that literary depictions of torture were not mirrors of actual historical practice but were instead complex rhetorical tools used to critique authority and define national boundaries. Core Argument: Torture as "Othering"
: Examines how the "rending of flesh" served an orthodox purpose . The failure of horrific tortures to break a saint proved that faith could overcome physical suffering.