(Yann Tiersen, Amélie ): Minimalist, haunting, and quintessential for modern piano.
(Nicholas Britell): A unique blend of hip-hop beats (simulated on piano) and 18th-century classical styles. Film music for solo piano
(Michael Nyman, The Piano ): Fast-paced, repetitive patterns that create a powerful emotional swell. Cinematic Grandeur Amélie ): Minimalist
: Most film scores rely heavily on the sustain pedal for atmosphere; avoid "blurring" the harmonies by changing the pedal with every chord shift. The Piano ): Fast-paced