Amore E Rabbia (1969) 🎯

Directed by Jean-Luc Godard , this segment explores the impossibility of communication and love in a world dictated by ideology and political conflict, featuring two lovers on a rooftop.

Directed by Marco Bellocchio , this segment features a classroom debate that descends into chaos, mocking the rigid structures of both authority and radical student movements.

Directed by Carlo Lizzani , this opening piece (sometimes omitted in certain versions) focuses on a hit-and-run accident, acting as a grim prologue to the film's themes of social apathy. Key Themes 🧠 The anthology is tied together by several recurring motifs: Amore e rabbia (1969)

Though originally titled Evangelio '70 , the directors used biblical themes primarily to critique the Catholic Church's role in modern society.

The film rejects traditional narrative, favoring long takes, jump cuts, and allegorical storytelling. Legacy and Context 🎞️ Directed by Jean-Luc Godard , this segment explores

The film is divided into five distinct parts, each utilizing a unique visual language:

The film was entered into the 19th Berlin International Film Festival. Key Themes 🧠 The anthology is tied together

It stands as a rare time-capsule where the "Big Three" of Italian cinema (Pasolini, Bertolucci, Bellocchio) worked alongside the leader of the French New Wave (Godard).