He began to rewrite the city’s interface based on . Instead of showing the citizens everything that was , he programmed the glass to show only what they needed next . He used the principle of detour —sometimes the straightest line was a cognitive trap, so he designed paths that curved, allowing the human eye to process the environment at a natural rhythm.
Elias, however, was a . His job was to find the "elegant path." Alain Berthoz – La semplessità (2011)
"I cannot delete it," Elias said, recalling the lessons of the old masters. "Nature never deletes complexity; it transcends it. We need ." He began to rewrite the city’s interface based on